Undercurrent contributor Alan Dean Foster has written 125
books,
including Star Wars: The Force Awakens, which
recently made The New York Times’ list of best-selling print
and
eBooks. His latest effort is an epic that takes place
entirely underwater.
As opposed to a work of science fiction, this book is pure fantasy.
The difference? Science fiction explores
what’s possible, even if improbable, while fantasy explores the
impossible. Foster introduces us to a race of people
who reversed evolution and returned to the oceans. An imaginative world
this fanciful can hardly be described in
conventional terms, so Foster creates his own vocabulary, such as the
term “mersons,” humanoids with gills who
can communicate with other sea creatures. Freed from the conventions of
traditional earth-bound writers, Foster
indulges in extravagant wordplay, starting with his title (pronounce it
slowly, out loud).
The story begins when a merson hunter named Chachel and his best
friend, a cuttlefish named Glint, encounter
an alien figure drifting on the “mirrorsky,” or ocean surface. Although
concerned they may have encountered a
demon, they bring the unconscious figure down to their village shaman,
a giant octopus named Oxothyr, who performs
a little magic to fit her out with merson-like gills and fins.
Impressed with her unique perceptions, Oxothyr
becomes her mentor and takes her under his tentacles.
At first, all goes swimmingly (yes, the puns are contagious), while
the changeling Irina adapts to her new surroundings,
a reef colony called Sandrift. Foster uses his diving experience to
vividly portray his exotic cast of characters,
such as the “manyarm” Glint, who expresses emotions by changing color.
I once thought Pixar did a good job
capturing the personalities of undersea critters in Finding Nemo, but
Foster’s insights blow them out of the water
(sorry, but imitation is the sincerest form of flattery).
It helps that these underwater characters can communicate with each
other. At one point, Chachel the hunter
encounters a “silvery school of big-eyed trevally,” which “offered
insulting remarks.” Foster writes, “Chachel
ignored them. One did not waste time quarreling with food.” But then
news arrives that a nearby settlement has
been attacked by an army of spralakers, a collection of crabs, but not
your usual Louis dwellers -- some are as big as
tanks. From then on, the book turns into a war novel, as Oxothyr
rallies his
followers to fight the crusading crustaceans.
We never truly learn what motivates the spralakers, although their
leader
obliquely calls their campaign “the Overturning.” The armed hard-shells
seem intent on destroying other communities, rather than occupying
them.
Parable-huggers can draw their own conclusions. Are the spralakers
conducting
a secular jihad? A regime-change invasion? Is Irina an interloper or
a savior? It’s up to us to work these puzzles out.
The book ends with a climactic battle with an inventive array of
weapons,
but before the matter of battle has even settled, Oxothyr expresses
concerns about other looming problems: “I do not feel that I can
identify the
true nature of the greater menace that threatens us all.” Sounds like a
lead-in
to a sequel, in the great Star Wars tradition.
Purchase Oshenerth through Undercurrent at www.undercurrent.org/UCnow/bookpicks.shtml -- you’ll go to Amazon.com and the commission
we earn will go to various projects to save coral reefs.
--Larry Clinton, co-author of There’s a Cockroach in
My Regulator